Sonata No. 2 In G Major (1912) - Stanchinsky* – Nikolai Fefilov - Piano Music (CD, Album)

Edvard Grieg: Violin Sonatas. Grieg: Complete Chamber Music. Le Chant du Monde. Grieg: Concerto for piano in Am; Sonata for violin No2. Grieg: Sonata for violin No3; Sonata for violin No2. Leonid Kogan Legacy, Volume Leonid Kogan. Skowronski Plays! Live in Concert. Vincent P. Panton Records. Orchid Classics ORC Muso MU Delos DE Pavane ADW Deutsche Grammophon Orfeo C A.

Aevea AE Entertainment Group Brilliant Classics Naxos RCA Red Seal Dynamic DM Claves BIS Corona Classics CCC. Edvard Grieg Edition Various Artists. Centaur Records Grieg: Violin Sonatas Karin Adam.

Camerata Records EMI Classics Hyperion Analekta Simax Brilliant Arabesque Harmonia Mundi HMA MDG Simone Pedroni. Nigel Hill. Rachmaninoff, Prokofiev: Sonatas. Horowitz Plays Rachmaninoff. Rachmaninov: Klaviersonaten Nos. Alexis Weissenberg. John Browning. Rachmaninov: The Early Piano Works. Labor Records. Andrei Korobeinikov.

Andrew Armstrong. Cordelia Records. Celebrate Rachmaninov. Brioso Recordings. Evgeni Mikhailov. Xiang-Dong Kong. Arcadia Recordings. Michael Ponti Live. Newport Classic. Eugene Mogilevsky. IMP Classics. Piano Recital. Oleg Volkov. MCA Classics. Kun Woo Paik. Rachmaninoff: Sonata, Fantasy, Suite. Claudette Sorel. Emsco Productions. Russian Disc. Polina Fedotova. Classical Records.

Roger Muraro. Rachmaninov: Sonata for piano No. Marie-Catherine Girod. Solstice Records. Sony Classical Harmonia Mundi HMN Guastavino, Rachmaninoff Martin Klett. CAvi-music AVI Oehms Classics OC Decca Gold Fantasy, Sonata, Elegy Yan Shen. Stone Records SNR Analekta AN Hyperion CDA Chandos CHAN Decca The Romance of Rachmaninov Lang Lang.

Deutsche Grammophon Es-Dur ES Wild Dreams Joyce Yang. Avie AVR Quartz QTZ Rachmaninoff: Piano Works Alexei Volodin. Challenge Classics CC Romantic Sonatas Boris Giltburg. Orchid Classics ORC Disc Makers Forgotten Melodies Polina Leschenko.

Irina Georgieva plays Rachmaninoff Irina Georgieva. Gega New GD CAvi-music Arts Music The Complete Recordings Lang Lang. Musical Concepts MC Decca DH. Rachmaninov: Music for Piano Jeremy Filsell. Rachmaninov: Piano Music John Lill. Regis Records RRC Piano Classics PCL Nimbus NI Melba Recordings MR Recital Simone Leitao. Divine Art dda Genuin GEN Gall formerly Gallo The Decca Sound Various Artists. Naxos Centaur Records Bridge Vladimir Horowitz: Toronto, Vladimir Horowitz.

Palexa A Musical Journey Rufus Choi. Cambria Pal Eide Analekta AN Aeon Sound of Verse Inna Faliks. Sony Music Distribution ABC Classics Earl Wild plays Rachmaninov Earl Wild. Ivory Classics Avi Telarc Distribution Sony Classical Essential Classics Brilliant Classics Unknown Rachmaninoff Denis Matsuev. Rca Red Seal Eroica Distribution Oehms Classics Live in Japan Alexei Sultanov. VAI Audio Challenge Records But increasingly instrumental works were laid out in four, not three movements, a practice seen first in string quartets and symphonies , and reaching the sonata proper in the early sonatas of Beethoven.

However, two- and three-movement sonatas continued to be written throughout the Classical period: Beethoven's opus pair has a two-movement C major sonata and a three-movement D major sonata.

Nevertheless, works with fewer or more than four movements were increasingly felt to be exceptions; they were labelled as having movements "omitted," or as having "extra" movements. Thus, the four-movement layout was by this point standard for the string quartet, and overwhelmingly the most common for the symphony. The usual order of the four movements was:. When movements appeared out of this order they would be described as "reversed", such as the scherzo coming before the slow movement in Beethoven's 9th Symphony.

This usage would be noted by critics in the early 19th century, and it was codified into teaching soon thereafter. It is difficult to overstate the importance of Beethoven's output of sonatas: 32 piano sonatas, plus sonatas for cello and piano or violin and piano, forming a large body of music that would over time increasingly be thought essential for any serious instrumentalist to master.

In the early 19th century, the current usage of the term sonata was established, both as regards form per se , and in the sense that a fully elaborated sonata serves as a norm for concert music in general, which other forms are seen in relation to. From this point forward, the word sonata in music theory labels as much the abstract musical form as particular works. Hence there are references to a symphony as a sonata for orchestra. This is referred to by William Newman as the sonata idea. In the early 19th century, the sonata form was defined, from a combination of previous practice and the works of important Classical composers, particularly Haydn, Mozart, Beethoven, but composers such as Clementi also.

It is during this period that the differences between the three- and the four-movement layouts became a subject of commentary, with emphasis on the concerto being laid out in three movements, and the symphony in four.

Ernest Newman wrote in the essay "Brahms and the Serpent":. The role of the sonata as an extremely important form of extended musical argument would inspire composers such as Hindemith , Prokofiev , Shostakovich , Tailleferre , Ustvolskaya , and Williams to compose in sonata form, and works with traditional sonata structures continue to be composed and performed.

Research into the practice and meaning of sonata form, style, and structure has been the motivation for important theoretical works by Heinrich Schenker , Arnold Schoenberg , and Charles Rosen among others; and the pedagogy of music continued to rest on an understanding and application of the rules of sonata form as almost two centuries of development in practice and theory had codified it.

The development of the classical style and its norms of composition formed the basis for much of the music theory of the 19th and 20th centuries. As an overarching formal principle, sonata was accorded the same central status as Baroque fugue ; generations of composers, instrumentalists, and audiences were guided by this understanding of sonata as an enduring and dominant principle in Western music.

The sonata idea begins before the term had taken on its present importance, along with the evolution of the Classical period's changing norms. The reasons for these changes, and how they relate to the evolving sense of a new formal order in music, is a matter to which research is devoted. Some common factors which were pointed to include: the shift of focus from vocal music to instrumental music; changes in performance practice, including the loss of the continuo Rosen , Don't show me this message again.

Violin Sonata No 2 in G major, Op 13 composer. View whole album. Both instruments are reproduced in a way that allows everything to be heard in the musical equivalent to full natural color. The recording quality is first-class—the balance between the instruments is ideal, and the performances have clearly been thought through with considerable musicianship.

The Grand Piano Sonata in G major, Op. 37, was written by Russian composer Pyotr Ilyich Tchaikovsky in Though initially received with critical acclaim, the sonata has struggled to maintain a solid position in the modern repertoire. Nevertheless, the sonata has been recorded numerous times and is recognized as one of the composer's masterworks.

9 Replies to “Sonata No. 2 In G Major (1912) - Stanchinsky* – Nikolai Fefilov - Piano Music (CD, Album)”

  1. Piano Sonata No.2 Alt ernative. Title Composer Stanchinsky, Aleksey: I-Catalogue Number I-Cat. No. IAS 12 Key G major Movements/Sections Mov'ts/Sec's: 2 movements I. Fuga. Lento expressivo. (= 84) II. Presto Year/Date of Composition Y/D of Comp. Composer Time Period Comp. Period: Romantic: Piece Style Early 20th century: Instrumentation piano.
  2. Oct 14,  · Provided to YouTube by [Merlin] WMO Sonata No. 2 in G major, Presto · Nikolai Fefilov Alexei Stanchinsky, Piano Music, World Premiere Recording ℗ Etcetera Released on: Auto-generated.
  3. Piano Sonata No.2 Alt ernative. Title Composer Rachmaninoff, Sergei: Opus/Catalogue Number Op./Cat. No. Op I-Catalogue Number I-Cat. No. ISR 34 Key B-flat minor Movements/Sections Mov'ts/Sec's: 3 movements: Allegro agitato (B ♭ minor) Non allegro—Lento (E major–E major) L'istesso tempo—Allegro molto (B ♭ major)Composer: Rachmaninoff, Sergei.
  4. Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, is a piano sonata in four completed the work while living in George Sand's manor in Nohant, some km ( mi) south of Paris, a year before it was published in The first of the composer's three mature sonatas (the others being the Piano Sonata No. 3 in B minor, Op. 58 and the Sonata for Piano and Key: B♭ minor.
  5. The music is difficult but Nikolai Fefilov plays it with a poise that makes it sound like the center of his repertoire. Kondrashin’s notes and engineering are first-rate as well. 2: Three-part Canon, G major - Vivace: 'Alexei Stanchinsky ()' Sonata No.2 in G: Fugue - Lento expressivo.
  6. Jul 14,  · Nikolai Myaskovsky sonata for cello and piano No.2 in a minor,Op () Yoosin Park, Cello / Hanna Hyunjung Kim, Piano 박유신, 첼로 / 김현정, 피아노.
  7. Moderato e risoluto (G major, bars) Andante non troppo quasi Moderato (E minor, bars) Scherzo. Allegro giocoso (G major, bars) Finale. Allegro vivace (G major, bars) Year/Date of Composition Y/D of Comp. First Perf ormance. — Moscow, Russian Musical Society: Nikolay Rubinstein (piano) First Pub lication.
  8. The second movement of the Piano Sonata is in two-part ternary form. A seven-measure interlude in G major links the first and second movements, after which there is a relative minor key area (E minor). The second movement's main theme is based on a motive of a sequentially repeated falling third.
  9. Check out Alexei Stanchinsky, Piano Music, World Premiere Recording by Nikolai Fefilov on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Sonata No. 2 in G major, Fugue lento expressivo. Listen Now Buy: £ In MP3 Basket View MP3 Basket Sonata No. 2 in G major, Presto /5(2).

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