S9r156 - Nicolas Bernier - Frequencies (Synthetic Variations) (CD)

Oh her first full-length for One Little Indian, the classically trained pianist has her unique virtuosity on full display. William Ryan Fritch's enthralling, doomy new CD comes housed in a gorgeous, panoramic gatefold sleeve with bewitching original artwork.

Before Nostromo by Stephan Mathieu. Of the Alien prequels, this is the only one I return to. William Rankin. Explore music. Chris R Gibson. Red Fog.

Tivolis Koncertsal Molto allegro con fuoco 2. De mange mennesker i det. I et symfoniorkester. Pressemeddelelse Aarhus, 6. I blev gruppen nomineret. Musikskolen har brug for dig i uge 15!! Den normale undervisning bliver. Visuelle referencer Inviterede kunstnere og links til deres ardejde Budget og dokumentation Traditionen tro indledes kirkens sommerkoncerter med kirkens eget kor akkompagneret af Svend Ole Kombak. Nordisk, tysk og engelsk. IV en noget lyssky. Men vi. I december bevilligede Kultur- og.

Det er en meget gammel historie, der handler om en prins, en prinsesse,. Det bliver spillet af et stort symfoniorkester. Det er her, den danske og internationale. Mahlers 8. Ved du. Han hedder Shimon og er en robot med. Peter Jensen Carl Nielsen sange i arrangement for obo, strygekvartet, bas og klaver. Se www. Workshopkatalog til Temauge i uge 6. Videoworkshop 1. Mandag Videoworkshop 3. Tirsdag Videoworkshop 6. DKK ,-Prisen. Installation at Matt s Gallery, London. Indledning og baggrund 1.

Rejs med os tilbage i musikhistorien! Aarhus Symfoniorkester spiller klassisk musik. I dette. Koncert med DR Radiosymfoniorkestret s. Violinkoncerten er skrevet af en tysk komponist,. Music Mind Games i 0. Kor- og sangskole i 3. Denne cd er et produkt af min freelance-virksomhed herhjemme og i udlandet.

We are delighted to have received two tracks for the S…. Jaap Blonk. Polyphtong was conceived as a live quadraphonic composition for voice and computer. It was premiered at Stanford University in March of In August of , Blonk radically reworked the piece to create the stereo version presented on this album.

All sounds heard in it are derived from Blonk's vocals. Spatial placement and movement are extended by electronic means. The phonetic concepts of diphtong and approximant are an important focus in the more meditative sectons of the work. It also uses…. Michel Pilz bass clarinet.

Paul Rogers doublebass seven strings. Unprecedented encounter between two talented free-improv musicians and two equally marvellous melodists: Keith Tippett on piano, prepared piano and Michel Pilz on bass clarinet. Francisco Meirino. Francisco Meirino's An extended meaning for something meaningless uncovers deep hidden contexts from the decaying fringe of the auditory spectrum.

Here we find ornate beauty in the subtle demise of electronic systems and explore the arcane apprehension of existential degeneration. The recording looks at how to create something out of almost nothing-basic field recordings, static electronics and failed tape experiments.

A channel multi-track piece where reel-to-reel tapes juxtaposition with mo…. Marco Fusinato. Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics.

In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end, refusing to allow the behind-the-scenes mystery of rehearsals and preparations to lend an aura to the per….

Sun Ra. The initial part exploits the chiming traits of the sources, jingling pings and diminutive bell tones punctuating a surface of neighboring periodicities inducing an exemplary palpitation of clashing partials. The fluidity is then briefly altered through relatively tactile pops and rhythmic glitches, in turn supplanted by frequencies so sharp that the birds outside my window began chirping louder this happens every time I nourish them with this kind of food.

When the subsonic matter becomes sturdier, the physical area of self-perception is entered: in the suppositional triangle formed by a standing listener and two speakers, the effect of the bottom ripples pervades the chest besides setting the auricular membranes in undulation mode while the brain is wholly delivered from any eventual residue of weariness.

This section subsequently turns into a rather constant diffusion enhanced by the luminance of the basic materials; we loved staying there in a state of semi-alertness, absorbing the restorative properties of acoustic innocence. As one navigates the last portion, a minor increment of tension is noticed: interferences and little noises change state almost visibly as the tiniest subcomponents disappear, replaced by isolated incisive pitches shielded with impressive hums.

The finale of this veritable composition sounds like a one-note piano amidst electronic words of farewell: the horizon comprises indefinite figures and hints to unborn melodies before everything dematerializes in the wind.

An impeccable record, defined by disparate kinds of intrinsic motility fortifying its natural constitution. Sound granulation tends to be evaluated mainly in terms of time. Over the last decade Nicolas Bernier has consistently exhibited his sound-artist credentials in a number of different fields. Regardless of the medium of experimentation — installations, concrete music elaborations, live electronics, post-rock, noise or free improvisation, video-art, dance or theatre — Bernier always executes the performance aspects of his works carefully.

The Canadian composer often finds inspiration in old equipment antique instruments, typewriters , which is reworked into complicated setups and recontextualised.

The sounds are sharp and are divided into highly refined and delicate sequences that have been arranged meticulously, with dilated assonances forming a pleasant continuum. The system here consisted of a series of purpose-built mechanical devices controlled by computers, working in tandem with a group of solenoids activating a row of turning forks.

The resulting sound fragments were combined with synthetic sine waves and everything has been done to balance the acoustic and electronic elements in the work — expressing the proper tension between the constituents of the whole. The album is a must-listen. It combines both ancient tonal generators, tuning forks, with the contemporary technology of computer controlled solenoids to activate the tuning forks.

The resultant devices made by Bernier have been manipulated to create sound elements which combined with synthetic sine waves comprises the instrumentation of this work. Also much could be made of notions of pure tone and essentialism within tone generation. Other approaches might consider the novel experimental music machine building as a form of artistic merit, the stark minimal soundscape and wide sonic dynamics of the piece or even consider it as an exemplar of sound art.

All of these approaches bear fruit.

frequencies (synthetic variations) at Mazda Space, Avant Mutek BCN Barcelona — ES December 1st, frequencies (synthetic variations) at Visions of the Future II, New York City — US November 20, frequencies (a) + frequencies (synthetic variations) at Bludenzer Tage zeitgemäßer Musik Blunden — AT November 4, Conference at Kikk.

9 Replies to “S9r156 - Nicolas Bernier - Frequencies (Synthetic Variations) (CD)”

  1. frequencies (synthetic variations) by Nicolas Bernier, released 19 September 1. s 2. s 3. s8e24 4. s9r 5. s 6. sr 7. s98t6 8. s 9. s s s s s s s53 Edition of copies Mastered by Giuseppe Ielasi Designed to be listened to at random «It crackles, rumbles and grooves.
  2. Apr 09,  · frequencies (synthetic variations), an Album by Nicolas Bernier. Released 19 September on Entr'acte (catalog no. E; CD). Genres: Experimental/5(11).
  3. Frequencies (Synthetic Variations) Nicolas Bernier. CD. Entr’acte; E / Total duration: 1. frequencies (synthetic variations) (), fixed medium 1. Frequencies (Synthetic Variations) Nicolas Bernier. CD E CAD US+ /5().
  4. Nicolas Bernier’s Frequencies (Synthetic Variations) is his first piece made entirely of synthetic sounds. Having evolved within the musique concrète and field recording traditions, Bernier wanted to break with habit — the result being 15 short movements of warped and crackling textures, vividly articulated sine waves and rhythmic bursts of pattern.
  5. frequencies (synthetic variations) | nicolas bernier We cannot load the video because your browser does not support JavaScript. Enable JavaScript support in your browser and reload this page.
  6. CD LINE CAD US+ + My currency Add to basket; Some recommended items Frequencies (Synthetic Variations) Nicolas Bernier. Entr’acte / E / CAD frequencies (synthetic variations) Who Has the Over the last decade Nicolas Bernier.
  7. Jan 17,  · frequencies (synthetic variations) Radio station: Deutschlandradio Kultur Venue/s of the event: Berghain, Berlin Links: Deutschlandradio Kultur _ Nicolas Bernier _ Berghain, Berlin audio stream: + frequencies (synthetic variations) This second installment of the frequencies series created by Nicolas Bernier (winner of PrixArs Electronica Golden Nica in Digital Musics and Sound Art) .
  8. Nicolas Bernier’s Frequencies (Synthetic Variations) is his first piece made entirely of synthetic sounds. Having evolved within the musique concrète and field recording traditions, Bernier wanted to break with habit — the result being 15 short movements of warped and crackling textures, vividly articulated sine waves and rhythmic.

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