Honky Tonk Affair. For Cryin' Out Loud. Don't Even Try. Country Club Couples. Permanent Position. The Grass Is Always Bluer. Top reviews from United Kingdom. There are 0 reviews and 0 ratings from United Kingdom.
Unlimited One-Day Delivery and more. There's a problem loading this menu at the moment. Learn more about Amazon Prime. Maybe people don't think southern California when they think about country music, but there is a great tradition of folks here making great music.
It's been a couple of years since David Serby's last album, Another Sleepless Night, saw the light of day and during that time he's continued honing his craft to perfection and even met his biological father for the first time. All this occurring on the backside of 30 is a little unconventional to be sure, but never mind that, his latest has him poised to break out of the local L. Honkytonk and Vine is Serby's third release to date and continues to build on his previous efforts, culminating in one exceedingly pleasing listen.
The album's musical influences run the gamut from honky-tonk of course to Tex-Mex, rockabilly, pop, soul, and even a bluegrass flavored tune with a melody that sounds suited for Western swing. For something so stylistically diverse, Honkytonk and Vine is remarkably cohesive and pleasing rather than exhausting and confusing, and is anchored together by a voice which, although it cannot be called pristine, is much like Ralph Stanley II's voice on his release This One is Two; Serby's emotive ability is first-rate and his vocal phrasing is delightful.
Serby's lyrics are simple, but evocative and freshly worded. Take, for instance, these lines from "Get It In Gear," a song about a girl who keeps the narrator on his toes: "She burns through gin like motor fuel - I'm a cross-eyed cowboy falling off my stool" humorous, expressive, and revealing.
Despite their simplicity, Serby's songs are capable of being pondered to reveal deeper truths without falling apart under scrutiny, and there's not a bad one in the bunch. Quite the accomplishment, and especially so considering he penned each of the 13 songs himself. Serby doesn't attempt to push any boundaries in an indulgent attempt to be original, but nonetheless sounds creative while working within a particular framework, drawing from a number of influences and leaning on tradition without using it as a crutch.
However, Honkytonk and Vine still manages to be a musically stunning piece of work that breathes life and soul into a genre that's been overrun with calculated guitar solos and melodic sound-alikes that deviate little from formulated templates. It's music that demands to be noticed alongside the lyrics and is interesting where mainstream releases have recently failed - it's not a thickly layered wall of Shinola, but rather - as Serby describes a character in "Chasin' You" - it is "style beyond compare.
So, while it seemingly takes more risks, the reward is far greater. In short, with Honkytonk and Vine you can have your cake and eat it, too; style and substance. Imagine that. Ironically, he was born in Los Angeles to a biological father, only recently discovered, who was also a country musician.
The influential echoes are a bit eerie, but the swinging and songwriting are the real deal. He rains tears into his beer, despairs of cheating, and chases the tail-ends of revolving relationships to emerge with a sense of redemption when the dumper finds herself the dumpee. His band is terrific the rhythm section of bassist Taras Prodaniuk and drummer Gary Ferguson is truly propulsive , as is guest steel from Rick Shea and the legendary Jay Dee Maness and fiddle from Gabe Witcher.
Shaking off a career in insurance, Serby indulged unknown musical genes and crafted a career filled with the joy of making music. That joy is in every country root he intertwines here. He has the hat, the beard, and the jean jacket. Instead, Serby has a smooth, suave singing instrument, which he uses to subtly get his points across. And while the CD cover features a close up of his boots touching down on a Hollywood Walk of Fame star, this man has by no means come any where close to going Hollywood yet.
Like all the best country performers, Serby often sounds like a soul singer with twang. He engages in both of these vices smoking and drinking, that is quite a bit because he only drinks to forget, and he has a load on his mind that can only be drowned away. Instrumentally, the wonderful Jay Dee Maness lays on the pedal steel thick and pure, just like an unfiltered cigarette in a club without ventilation.
Ver detalles. Temporalmente sin stock. Estamos trabajando para volver a tener stock.Mar 25, · LA tonky David Serby has the Dwight Yoakam look nailed on his second album, Honkytonk and Vine, right down to turned-up collars on his Levi's jacket and the poofty little handkerchief tie around.