Saxophonists Tony Malaby and Chris Cheek are, respectively, center left and center right. Motian's drums are heard across the stereo spectrum, whether soloing or supporting the ensemble. From Wikipedia, the free encyclopedia. Paul Motian Garden of Eden Down Beat : 4 stars out of 5 -- "With flotation devices that seem to hang in mid-air, Motian's drumming and arranging style brings new meaning to the musical term rubato.
Get email alerts for Paul Motian. Our customers love us! Join our , fans. Tracks: 1. Song previews provided courtesy of iTunes. As with the previous outing, Motian presents inventive covers of tunes by Jerome Kern a light, gentle take on "Bill" and Thelonious Monk the shuffling rendition of "Evidence" , but that's where obvious similarities between the two albums end. Password Reset your password Click the eye to show your password.
First name and Last name. First name only. Email address It will remain private. Yemen Yugoslavia Zaire Zambia Zimbabwe. Home Clips. Released Links Reviews available at www. Find out more about our use of this data , and also our policy on profanity Find out more about our use of this data. But in fact, Worlds is a live recording that was made before Lovano signed with Blue Note and became a such a huge name in the jazz world.
Lovano excels on the tenor and soprano saxes as well as the obscure alto clarinet, and Silvano's adventurous improvisations demonstrate that she was already quite distinctive in ; nor are Frisell's meaty solos anything to complain about. Nonetheless, this is hardly a performance that goes out of its way to be accessible -- classical-influenced post-bop pieces like "Tafabalewa Square," "Spirit of the Night," and "Round Dance" are as angular as they are cerebral and abstract.
But if the listener is willing to accept this uncompromising, challenging CD on its own terms, the rewards are abundant. From Wikipedia, the free encyclopedia.
On Garden Of Eden, Paul Motian's Electric Bebop Band shortens its name and lengthens its stride to present a new artistic agenda. Recalibrations of the bop and hard bop repertoires stay on the bill, but only in a supporting role: the main event now is original material, most of it composed by Motian.
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